Deuxièmement, parce que l’édition posthume de ces pages a été complétée par le fils du cantor de Leipzig, Carl Philipp Emanuel Bach. Cédric Pescia décide de faire de la première Fugue un monument crépusculaire qui s’étire, s’étire… jusqu’à l’épanchement. Bach: Art of Fugue/L'Art de la Fugue [A-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, scored for chamber orchestra: Contrapunctus V [4:13], Contrapunctus VII [4:26], Canon [2:40], Contrapunctus XIIa [2:16], Contrapunctus XIIb [2:17], Contrapunctus XI [8:02], Radio-Canada Transcription (RCI) Programme 157, The list of recordings was compiled by Aryeh Oron & Thomas Radleff (January 2004 - December 2017) A plusieurs voix mélodiques qui se superposent et s'entrecroisent, elle est bien plus complexe qu'elle n'y parait. Misc. Isoir - L'Art de la fugue Œuvre magistrale où JS Bach a poussé les limites extrêmes de la fugue, l'Art de la Fugue est des plus fidèlement interprétée ici par André Isoir qui aura marqué la discographie de l'œuvre pour orgue du Cantor. Its main theme is inverted and a chromatic counter-subject is maintained throughout. On le découvre dès la Sonate BWV 966, dans diverses pièces religieuses ou encore dans L’Art de la fugue 1. Review: Scherchen AoF Buy download online. The response is inverted and diminished while variously-spaced stretti are straight, inverted, normal, diminished, double and triple. Bach had not finished the final fugue, superscribed ‘Fuga a soggeti’ in the printed version; Contrapunctus 14 in this recording (Graeser No 19, see below). La maladie mortelle débilitante en empêcha l’achèvement. Open Instrumentation. Its non-thematic bass remains exempt. Die Kunst der Fuge BWV 1080, instrumentation by Hermann Scherchen [94:28]; Including rehearsal. Bach asked for a 100-copy print run. Comprend 13 contrepoints, 4 canons et 3 fugues (dont 1 inachevée) J. S. Bach. See Full Cast + Crew for Jean Sebastien Bach: L'Art de la Fugue Features Load More Features Movie Reviews Presented by Rotten Tomatoes. Buy this album at: Two works, the Italian Concerto (BWV971) and the Overture in the French Style (BWV831) appear as Clavier-Übung Part II (1735). | Lorsque Bach mourut (1750), la … The increasing rhythmical and harmonic intensity retains its symmetry through recapitulations and later to a dimunution of motifs taken from the subject. cit., p. 127-140. Buy this album at: |, Bach: Die Kunst der Fuge - Art of the Fugue [A-5], Die Kunst der Fuge BWV 1080, instrumentation by Hermann Scherchen, Members of Vienna Radio Orchestra & Vienna Symphony Orchestra, Recorded at Mozartsaal, Vienna, Austria.'s standard return policy will apply. L’Art de la fugue, BWV 1080: Die Kunst der Fuge BWV 1080: Jean-François Paillard: Orchestre de Chambre Jean-François Paillard Quantity. The Art of Fugue (or The Art of the Fugue; German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Bach’s uncommonly severe chorale preludes and even more the four peculiar Duets with abrupt, chromatic and (sometimes) bitonal strands, accentuate the diversity. The Graeser version was first heard in 1927 at a concert in the Leipzig church of St Thomas. : 33D-023311, 33D-023312, 33D-023313, 33D-023314. Copier le lien pour partager la page. Leonhardt put the case for the harpsichord and Helmut Walcha claimed it as an organ work. Contrapunctus 9 (alla Duodecima): Following the exposition of this new theme, the main augmented theme reappears seven times at differing intervals as a fixed melodic accompaniment. Canon (in Hypodiapason) alla Ottava: One of four canonical fugues. The Art of the Fugue in Wikipedia . CD: Buy this album at: œ œ . Bach: L’Arte della fuga, Die Kunst der Fuge BWV 1080, orchestration by Hermann Scherchen, Orchestre de La Radio-Television Suisse Italienne (Lugano), Recorded live in Lugano, Switzerland. 2-LP / TT: 90:16 Stretti occur at a variety of intervals. Ici Bernard Foccroulle a choisit l'orgue du " Temple du Bouclier " de Strasbourg, et en tire des couleurs et des registrations rarement entendues dans cette oeuvre ! The results were messy and bewildering and performers looked at the work in utter confusion. Contrapunctus 13 (Inversus): A complete (mirror) inversion of the preceding Rectus. Today’s music dictionaries usually espouse a diplomatic, less self-serving viewpoint, merely noting: ‘a keyboard performance would seem most obvious.’ The fact that it was published in score is immaterial. Add to Cart. Karl Ristenpart Conducts J.S Bach L'art De La Fugue BWV 1080 [2-CD] [A-1], Die Kunst der Fuge BWV 1080, includes Counterpoint 1, 3, 2, 4, 14, 5-7, 15, 12-13, 16, arranged for chamber orchestra by Helmut Winschermann, Saarländischer Rundfunk Kammerorchester (Orchestre de chambre de la Radiodiffusion sarroise ), Huguette Dreyfus (Harpsichord); Robert Veyron-Lacroix (Harpsichord), Recorded at Saar, Fraulautern Minte, Germany. Karl Straube directed. Graeser’s arrangement was soon set aside in favour of more economical instrumentations. Leonhardt Gustav, L'Art de la fugue denière œuvre se Bach pour le clavecin (traduction en français par Jacques Drillon). Organists turned to The Art of Fugue and the work was re-examined yet again. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. "L'Art de la Fugue" de Bach. Bach a commencé sa composition aux alentours de 1740 ou 1742, et l'a mise au propre vers 1745. J.S. As we have seen, the nature of instrumentation is not documented. Contrapunctus 4: Again Bach employs the same inverted form of his theme. Analyse de l'oeuvre. In fact Graeser had simply split the work into two parts, each one beginning with limited forces (string quartet or harpsichord). Bach: The Art of Fugue, 4 Solo Organ Concertos [A-1], Die Kunst der Fuge BWV 1080, with Final Fugue completed by L. Rogg. 2-CD (1997): | |, J.S. Decca Ace of Diamonds SDD-356-7 In 1932 Tovey endorsed the nineteenth-century belief that the work had been intended for the keyboard. CD. 16-Bit CD Quality 44.1 kHz - Stereo. Buy this album at: Analyse en video. C’est tout un cosmos musical, une lecture intime et méditative…. Écoutez Bach: L'art de la fugue par Régis Allard sur Deezer. 17,32 € Suivant. The first of four canonical fugues; ‘alla Ottava’ takes its place between these introductory contrapuncti and three counter fugues viz. Écoutez votre album sur Deezer en synchronisant vos comptes Synchroniser. Bach: L'art de la fugue [2-LP] [A-1] L'Art de la fugue (en allemand : Die Kunst der Fuge) est une œuvre inachevée de Jean-Sébastien Bach (BWV 1080). inversus, János Sebestyén (Hapsichord); Zsuzsa Pertis (Harpsichord), Bach: Art of the Fugue [A-2] By 1756 The Art of Fugue had sold only thirty copies and 120 years later it was similarly overlooked but for the sporadic publication of a few keyboard editions. Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu: A daring variation on the basic outline of the theme. Here the main theme is varied by two passing notes. 1st recording of Die Kunst der Fuge BWV 1080 by K. Johann Sebastian Bach. The themes combine and recombine in both straight and inverted form; eight themes in all. Contrapunctus 7: In four parts (per Augmentationem et Diminutionem). Collection Paul Kuentz CPK-500-065, Recorded at… 1. (Harpsichord); Bob van Asperen It is heard in stretto and in inversion. Then Canon ‘alla Decima, Contrapuncto alla Terza’ with the syncopated inversion heralds the first of the two mirror fugues. The exposition with its inverted response passes from bass to soprano and the augumentations are enriched by the four versions of the theme from Contrapunctus 6. The first deliberate, ricercare-like theme reads the same whether backward or forwards. Jean-Sébastien Bach a œuvré toute sa vie pour que la musique resplendisse avec une modestie touchante et aimante. 2014 Preview SONG TIME Die Kunst der Fuge, BWV 1080: Contrapunctus 1. Notes Collection personnelle - Side 1: Fugue 1 à IV, Canon à l’octave, Fugue V - Side 2: Fugues VI et VII, Canon par augmentation et mouvement contraire, Fugues VIII à X - Side 3: Fugue XI, Canon à la douzième, Fugues XII et XIII, Canon à la dizième - Side 4: Fugue XIV (inachevée), Choral “Devant ton trône je vais comparaître” BWV 668 But his overriding aim was purely to exhibit the comprehensive possibilities of a single, simple ‘subject’ with various types of fugal and canonic writing. L'Art de la fugue; The Art of Fugue (Die Kunst der Fuge) is an incomplete work of unspecified instrumentation by J.S. But now, from mid-way its parts are interchanged. The twenty tracks can be further detailed as follows: Contrapunctus 1: The first of four simple fugues. 2nd recording of Die Kunst der Fuge BWV 1080 by K. Ristenpart. Bach: L'art de la fugue [2-LP] Karl Ristenpart Conducts J.S Bach L'art De La Fugue BWV 1080 [2-CD] Die Kunst der Fuge BWV 1080, includes Counterpoint 1, 3, 2, 4, 14, 5-7, 15, 12-13, 16, arranged for chamber orchestra by Helmut Winschermann: Karl Ristenpart 9. On each occasion the new theme and principle theme combine in two different intervals. Charles Rosen says eighteen (twenty as recorded here) of the most complex contrapuntal works do not fall by chance within the compass of two hands. The intervening element, Part III, begins with a prelude in E flat (BWV552), part of a larger five-part fugue which later re-emerges, once again in E flat and with three subjects. Find scores for Orchestration du Contrapuncus XIX de Lart de la fugue de Bach Berio at Sheet Music Plus. Within this sub-section of the Clavier-Übung we find divergent styles—some of almost elegant superficiality, others in antique mode suggest an ‘adopted’ approach. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Hyperion offers both CDs, and downloads in a number of formats. For the second section parts are interchanged with the canon now in the double sub-octave. Like other performers and academicians he also produced a ‘complete’ version of the final, four-part fugue which breaks off after measure 239. L'Art de la fugue, dernière œuvre de Bach pour le clavecin (1952), trad. Review: Scherchen AoF Une version complète de la main de Bach précède la version publiée et les gravures sur cuivre de rigueur furent en partie supervisées par lui. Kenneth Gilbert (harpsichord) CBC Toronto Chamber Orchestra, Hermann Scherchen Bach’s four-part writing led to still more experimentation with a variety of groupings. 2nd recording of Die Kunst der Fuge BWV 1080 by H. Scherchen. 4,7 étoiles sur 5 17. The crux of this fugue is its simple, syncopated inversion. No cal dir que, probablement, J. S. Bach coneixia obres com les Fugues i capricis a quatre, de François Roberday (1660), atès que Forkel, el seu biògraf principal, comenta que, abans de compondre L’Art de la fuga, havia estudiat detingudament obres antigues d’organistes francesos, grans mestres d’harmonia i de la fuga segons la tradició de l’època. The debilitating final disease prevented its completion. Melodiya MELCD-1002006, Recorded in Moscow, Russia. Its lower part follows the upper in augmented inversion at four bars’ distance. He declared, ‘Every student of the art … cannot fail to learn from it how to compose a good fugue and will therefore need no oral teacher, who often charges dearly enough.’ Schweitzer took a similar view in his J S Bach, le musicien-poète (1905). Paru le 16/10/2008 chez Fuga Libera; Artiste principal : Alice Ader; Genre : Classique; Distinctions : 4 étoiles du Monde de la Musique ; Disponible en. Bach: Art of Fugue [A-1] Cette première version contient 12 fugues et 2 canons. Avis posté le 22 mars 2014 BACH PARMIS LES HOMMES. 65,45 € Bach : L'Art de la Fugue Jean -Sebastien Bach. L'Art de la fugue--the Art of fugue--die Kunst der Fuge. Die Kunst der Fuge BWV 1080 - Contrapunctus 9, 11, 13 1st recording of Die Kunst der Fuge BWV 1080 by M. Aujourd'hui sur Rakuten, 250 L Art De La Fugue Bach vous attendent au sein de notre rayon . Et cela, aussi bien du côté du neuf que des produits Bach L Art De La Fugue occasion. Karl Geiringer notes: ‘To make the mirror reflection doubly realistic, the treble of the first fugue becomes the bass of the second, the alto changes into a tenor, the tenor into an alto and the bass into a treble.’ The inversus appears like the rectus standing on its head. Pascal: Die Kunst der Fuge BWV 1080, arranged for orchestra, Georg-Friedrich Hendel (Violin); André Navarra (Cello); Michel Debost (Flute); Alain Marion (Flute); Lucien Debray (Oboe); Jacques Chambon (Oboe); Maurice Bourgue Tahra: TAH108/109. ‘We shall never know Bach’s innermost thoughts—all we can do is try to discover the meaning.’, ‘The remarkable Tatiana Nikolayeva … uncovers Bach's revelations as if they were her own’ (The Independent), ‘Absolutely superb. Contrapunctus 12 (Inversus): The entire four-part fugue is mirrored with its bass becoming the soprano and so forth. The Ricercari have no stretti, no inversions and no subsidiary themes. Fuga a 2 Clav. 2nd CD: Bach's keyboard works played by Rosalyn Tureck [K-9]. C P E Bach himself thought the work’s greatest value was as a teaching aid. Contrapunctus 5: A simple four-part fugue. Its shift from straight to inverted form occurs after the exposition. dernière oeuvre de Bach pour le clavecin argumentation, L'Art de la fugue, Gustav Leonhardt, Van De Velde. But Tatiana Nikolayeva should surely have the final word in this note. The second canonical fugue; ‘alla Duodecima in Contrapunto alla Quinta’ serves to heighten the distinction between Bach’s three counterfugues (as above) and the four fugues with several themes (Contrapunctus 8, 9 [‘alla Duodecima’], 10 [‘alla Decima’] and 11) occupying the first four tracks on CD. Inventivité, créativité, richesse, ces trois mots ne peuvent suffire à définir tout le potentiel du compositeur allemand. [E. Demeyere]. Orchestre symphonique Giuseppe Verdi de Milan Direction : Riccardo Chailly - 2004 Soumis par Anonyme (non vérifié) le 2013-04-03 20:24. It is changed mid-way, becoming a canon at the sub-octave. Néanmoins le travail de publication de L’Art de la fugue avait déjà commencé quelques mois avant sa mort. De quoi nourrir vos convictions personnelles avec la référence Bach L Art De La Fugue si la seconde main fait partie intégrante de vos habitudes d'achat. Die Kunst der Fuge BWV 1080 - Contrapunctus 1-9 The fugue starts out as a canon at the tenth (upper decima). ‘Every instrumentation must resort to a completely anachronistic group of instruments,’ he says. Étude critique des sources. Interest was enormous. II) / Deux Sonates at Discogs. He also comments, ‘The Art of Fugue was meant to be studied by playing it, to have its marvels seen, heard, and felt under one’s fingers … it must indeed, be played many times before its deceptive lucidity can be penetrated. In fact the order of pieces on the autograph differs from that established from the printed version. By 1748 he was ready for a great, final summation; a work with every manner of contrapunct and canon based on one great theme. Bach:Musikalisches Opfer (L'offrande musicale) et Die Kunst der Fuge (L'art de la fugue) [A-3], Die Kunst der Fuge BWV 1080, in a version by Paul Kuentz [80:31], Paul Kuentz Chamber Orchestra (Orchestre de Chambre Paul Kuentz), Marie-Claire Alain (or Françoise Gangloff) (Organ); Monique Frasca-Colombier (Violin); Christos Michalakados (Viola); Jean Louis Hardy (Cello), Club National du Disque CND-41-1/2 L'Art de la fugue Johann Sebastian Bach. Bach: The Keyboard Album - Featuring The Italian Concerto & Art of the Fugue [K-1], Charles Rosen (Piano); Olsen Archers (Piano, tracks 12-15), Columbia Odyssey 3236-0020 But the form is only understood when its principles are fully realised as they are within this masterpiece. 2-CD:, J.S. In two parts; the main theme is at first inverted, then played straight with substantial rhythmic changes and embellishments. Ultime grand cycle de Bach, L’Art de la Fugue constitue un sommet dans la forme la plus exigeante de l’écriture musicale classique : la fugue. Share Share on Facebook Tweet Tweet on Twitter Pin it Pin on Pinterest. oeuvre musicale dite « classique » avec l’Art de la fugue de Bach et dix interprètes. F W Marpurg’s added preface (1752) explains that this was to facilitate reading. The Art of Fugue is universally upheld as a major intellectual tour de force of Western civilisation; one of the great wonders of musical art. By the same token the lower part takes the middle, and the upper part is bass of the Inversus. No et perdis aquesta versió del mateix contrapunctus 9 cantada per Swingle Singers :-) When sold by, this product will be manufactured on demand using CD-R recordable media. Écoutez votre album sur Deezer en synchronisant vos comptes Synchroniser. Bach: L'art de la fugue BWV 1080 [Import anglais]: Jean-Sébastien Bach, Grigory Sokolov: | Formats: CD, Vinyl, MP3 |Livraison gratuite dès 25 € d'achat Cette belle petite fugue en G mineur BWV 578 de Bach très connue. Non ! There is also a vital new counter-subject. 8. 10. The Berlin News (11 May 1747) reported: During the Potsdam gathering (4 May), Bach had essayed a 3-voice fugue for the monarch. 6-CD / TT: 381:25, Recorded at Saarlouis-Fraulautern, Saarebrücken, Germany. This … may account for the greater variety of instrumental attempts.’ The Dutch harpsichordist and scholar explains that Bach never used the soprano clef for flute, oboe or violin. « L’Art de la fugue » est – à juste titre – considéré comme un chef d’œuvre. A rising chromatic motif from the bass leads to the final entry of Frederick’s theme. Stretti are variously spaced, both straight and inverted. The autograph is demonstrably in Bach’s hand while details of the printed version are, even now, not finally authenticated. Discover releases, reviews, track listings, recommendations, and more about J.S. The opening four fugues pose no problems. Its simple, main theme is inverted, varied and embellished in all four parts. 1st recording of Die Kunst der Fuge BWV 1080 by K. Gilbert. 2nd recording of Die Kunst der Fuge BWV 1080 by G. Leonhardt. L’art de la fugue de Jean-Sébastien Bach L’art de la fugue (en allemand : die Kunst der Fuge), est une oeuvre inachevée de Johann Sebastian Bach por - tant le numéro 1080 dans le catalogue BWM. Musique illimitée. Bach: L’Art de la Fugue [A-4] Source: Deutschen Nationalbibliothek, Isolde Ahlgrimm (Pedal Harpsichord) [Ammer pedal harpsichord, 1937/1941]; assisted by Friederike Bretschneider-Resele on a few tracks. Oeuvre testamentaire et inachevée de J.S Bach, " L'art de la fugue " peut-être indifféremment interprétée à l'orgue, à l'orchestre ou au piano. Prelude & Fugue on BACH, BWV 898 [K-6], 1. 3rd recording of Die Kunst der Fuge BWV 1080 by H. Scherchen. Consultez des crédits, des avis, des pistes et achetez la référence 1966 Vinyl de L'Art De La Fugue sur Discogs. From this base the instrumentation was progressively enlarged, first to chamber ensemble proportions and then to full orchestral dimensions. The third (final) theme turns to the B-A-C-H motif, presented in minims. Accord 465893, 2-LP / TT: 90:16 Copier. No-one understood the workings of counterpoint more fully than Bach and in his final years the composer, then Cantor at St Thomas’s, Leipzig, was more and more preoccupied with contrapuntal music. His second part had the canons, mirror fugues and the quadruple fugue. Isaacs) [B-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, arranged for chamber orchestra [87:20], Argo ZRG-5421-5422 Contrapunctus 13 (Rectus): A mirror fugue in three parts. In this way he set his personal seal on the work as a whole. Includes only the first 9 Contrapuncti on organ; was intended as volume one of a complete recording, which was never finished. Avec L’Art de la fugue, au gré des notes de l’œuvre éponyme de Jean-Sébastien Bach, il joue de catastrophes sur le fil, de vacillements et de mouvements continus d’apparition et disparition des corps. CD: |, Bach: Die Kunst der Fuge [A-2] Crossroads 22160008. Zhu Xiao Mei fait partie de ces pianistes d'aujourd'hui incontournables. Bach: The Art of Fugue [A-1], Melodiya 33D-023311 Certainly I can think of no finer recording of this endlessly fascinating masterpiece, whatever the medium. Everyday low prices and free delivery on eligible orders. X. œ 2nd recording of AOF BWV 1080 by I. Ahlgrimm. J.S. Contrapunctus 2: The four part fugue is played straight. Étrange que ce soit une jeune pianiste qui nous livre l'une des versions les plus spirituelle de l'Art de la Fugue. Says theorist Boyd, ‘The mere presence of the Duets still requires explanation, and Bach scholars are not in agreement even about the instrument they were written for.’. Each one argued persuasively that The Art of Fugue was most properly suited to his/her own instrument. Bar 23 brings a second exposition. Bach: Die Kunst der Fuge (L'Art de la fugue) [Orgue Dom Bedos, P. Quoirin, Sainte-Croix de Bordeaux]. Kei Koito Rectus Thanks to contributors: Holger Bünte-Majoor (March 2015), Wim Girard Bowe (July 2013), Guy Glenet (February 2008), Paul Hodges (May 2005), Teddy Kaufman (July 2007), Bradley Lehman (January 2004), Alain Rimbault (October 2016), John Simkiss (January 2009), Jana Slámová (June 2007), Terms of Use View credits, reviews, tracks and shop for the 1969 Vinyl release of L'Art de la Fugue, Bwv 1080 on Discogs. ‘Wer weiss, wie nahe mer mein Ende’ (‘Who knows how near my end might be’) by the Countess of Schwarzburg-Rudolstadt (1637–1707). Contrapuncti 1, 2, 3 and 4 are the four simple fugues as detailed below. Though composed as a series of fugues on the same subject, Bach did not specify the instruments that should play them. JS Bach ne donne aucune indication d’instrument pour L’Art de la fugue, et son écriture ne nous éclaire pas plus. Complete your J.S. Another (straight) version of the main theme with major changes of rhythm and embellishments. Contrapunctus 11: A four-part triple fugue. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . Bach L'Art de la fugue. the inverted form at Contrapunctus 8). The middle section of the former becomes the upper part. Les meilleures offres pour Jean Sébastien Bach –L'Art De La Fugue -Le Club Français Du Disque ‎– 2384-2385 sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! Bach: Violinkonzerte - Violinsnaten - Die Kunst der Fuge, Die Kunst der Fuge BWV 1080, arranged for string quintet & 2 harpsichords, Collegium Aureum (4 strings & 2 harpsicords), Ulrich Grelhling (Violin); Ulrich Koch (Alt-viola); Gunther Lemmen (Tenor-viola); Reinhold Johann Buhl (Cello); Johannes Koch (Violone); Fritz Neumeyer (Harpsichord); Lilly Berger (Harpsichord), (DHM) Orbis / IPIX / BASF [LP]